Medieval Lord and Lady - but who made them?

 After the success I had on facebook with the identification of the Galloglass made by Oojah-Cum-Pivvy I thought I'd try the same approach to find the origin of these rather fine figures. I believe they were made in England, 54mm tall, they are made from some sort of composition material, they may have been made for a toy theatre or something like that.

My thoughts that they might have been made for a toy theatre prompted suggestions that they may have been Shakespearean characters such as Petruchio and Kate from Taming of the Shrew, they certainly have the arrogant stance for that couple.  The period costumes have been well researched and carefully painted, I have seen examples of them before so I think they were produced commercially but not in large numbers.

Two more figures from the same series, a boy/Prince and a Monk, they are not the usual wood/glue composition or the plaster of Italian figures, perhaps more like the Blanc de Medun of some French types which is very hard, there is no armature. The base on the Prince is lead and not original but was added by a previous owner.

On the figure of the Boy it says "Courtier temp. Ric II Earl of March" on the man it says "Courtier temp. Edw IV" these were stickers added by the previous owner to notate who the figures represented in his personal collection, sadly he give no indication of their manufacturer, he uses the word temp. to abbreviate "time of". 

I acquired them in one of James Opie's auctions for Phillips back in the 80's the seller had been a student of heraldry and his entire medieval collection along with his research archive were up for sale. The lots were all high end connoisseur figures, Courtenay, Ping etc which sold for serious money but these were in a lot of plastics, most of which were conversions to represent personalities in their heraldry, luckily nobody else wanted them so I was the only bidder. Being conversions, all of the figures had these paper stickers on the base to show who they represented.

To date their manufacturer has not been identified so if you recognise them please leave a comment to let us all know.

John Ruddle's Battleship

 On 6th December last year the Toy Solder Collection of the late John Ruddle was sold by C&T Auctions and I am told that the sale raised £100,000.  Here is a link to the online catalogue, compiled by James Opie, which in itself is a valuable resource for collectors of old toy soldiers: The Toy Soldier Collection of the Late John Ruddle Auction (candtauctions.co.uk)

But not everything went to auction; the wargame buildings, accessories, homecast figures and ships from his garden were considered unsuitable for inclusion in the sale, largely due to their condition, and were sold privately as a job lot.  After cleaning up and some repair most of the ships were sold through a collectors shop in Gosport, a Naval town just outside Portsmouth, where they were mostly snapped up by retired Naval officers as garden ornaments.  

  John had told me, some years previously, that he'd sold all of his model ships to a collector in Germany and I assumed he meant his garden battleships, naturally I was disappointed that I'd never see them again.  I realise now that he meant his collection of 1:1200 scale waterline ships, for which there is a much larger following in Germany, that made a lot more sense to me.  The last two garden battleships found their way to the London Toy Soldier Show last year so I couldn't pass up the opportunity to acquire one as a piece of iconic wargaming history.

John's ships have been shown before in various books and magazines but the photographs are mostly monochrome and set in larger views of his garden so I thought people might like to see a closer view.   

I don't know much about battleships so I'm hoping someone can tell me the class of this one.  John seems to have named his ships after actual vessels (although I recall a freighter named after the fictional "African Queen"), this one is HMS Rutlish, which I have been unable to trace any record of.

John was a maintenance engineer in the print industry and, while the ships are impressive from a distance, close up you can see that he bolted on all sorts of bits and pieces to build them.  

The superstructure lifts off and inside I found it had been fitted with an electric motor, so it might have been floated on a boating pond at one time, but there is no sign that a propeller shaft or screw were ever installed.  John had told me that he built his ships from aluminium sheet and that does appear to be the case with the deck, guns and bridge but the hull is made from fibreglass, a common enough material used by ship modellers and for DIY car repairs in the 1960's, but rarely used domestically since then.

This final shot of me holding HMS Rutlish is to give a sense of the size.  The paintwork is flaking badly, testament to years spent out in the garden and several repaints, I am currently struggling with the decision to burn off the worst sections and repaint or leave as is? 

Among the other items that never made the grade for the auction were a large quantity of silicon moulds that John used for casting his own figures and spare parts to repair and convert old Britains hollowcasts.  There was also a large collection of the actual figures he'd made and used in his garden wargames, being in the print industry he had access to ample supplies of lead, and created units which had never been covered by the toy manufacturers, including several units of what appear to be various Constabulary to police the far flung regions of his garden Empire.

Wargame at the London Toy Soldier Show

The internet blurb for the December show in London said it would feature a wargame arranged by James Opie and Replica Metal Soldiers & Models so I thought I'd take a look (well I was going there anyway for a Christmas get together with the lads)

The table was laid out for the Battle of Tell el Kebir, a good choice for a display game as it needs very little terrain (important if you're the one transporting the stuff) and the two sides are easily identifiable, Egyptians are in white, Brits are not.  I don't know the purpose of the bits of paper dotted all over the place but this sort of clutter on the table is a pet hate of mine.

Nice to see that I'm not the only person who resorts to mounting toy soldiers on 2p pieces!  Cavalry are mounted on lengths of transparent Perspex which are all but invisible, I was very impressed with the table mat which appeared to be just hand painted cloth but executed so much better than my own efforts.

I was told that the rules being used had been written by James Opie, based on Wells' Little Wars but with some modern twists (no matchstick firing cannon!).  It's nice to see a display wargame returning to the London Show but I do still miss the old Skirmish Wargames Group games.

James Opie was on hand at the nearby stand for C&T Auctions and was joined by Luigi Toiati who was promoting his new book "The History of Toy Soldiers".  Regulars at the London Show in the late 1980's and early 90's will remember the affable Luigi as the man behind Garibaldi Toy Soldiers, I've had his book for a while now but haven't had time to read through it (pictures look nice though) so a review will have to wait a bit longer.

In the meantime James and Luigi were promoting another new book "La dinastia degli Antonini a Roma" which is a privately printed history of three generations of  the Antonini family who have been making toy soldiers in Rome, their FIGIR composition figures are well known but not their lead creations so I've written to Santa for a copy, but as my emails to Rome haven't been acknowledged I'm not confident it will get here by Christmas!

New book by James Opie

I had intended to buy James Opie's new book " Collecting Toy Soldiers in the 21st Century" at the London Toy Soldier Show a few weeks ago, where for the cover price of £30 I would have recieved a signed copy direct from the hand of the author.  However the fates decided that I should not go and therefore I have obtained an unsigned copy courtesy of Amazon for just over half that price (how can they do that when it's brand new?).

Published by Pen and Sword books Ltd. ISBN 978-1848843738, 207 pages fully illustrated in colour throughout.

This is a follow up to James' previous book "Collecting Toy Soldiers" which he wrote 25 years ago and sets out to reflect on the changes in the collecting environment during the intervening period.  And what a lot of changes there have been, the whole demographic of collectors has changed as the older hollow cast lead generation have given way to the baby boomers of the 1950's and 60's plastic era.  Also there has been a boom in availability of figures through shows and the internet, a feast of information through magazines, new books and blogs, and a veritable renaissance in manufacturing both plastic and modern metal collectors items. 

Getting back to the book it's very much a gentle guide through Opie's personal collecting history and his philosophy of what makes a good figure, how to build a collection and how to wind down from it.  That last aspect is rather new territory for me but being a near contemporary of the author I found the concept of "how to stop collecting" strangely compelling as it's something you start to think more about as you get older.  I'm going to shut up now because I'm getting boring, it's a very good book crammed with great and unusual pictures of toy soldiers and I would very hapilly have paid the very modest full cover price for it had not Mr Amazon intervened.