John Ruddle 1932 - 2023

 I don't normally buy Toy Soldier Collector magazine, because it mostly seems to be about reviewing new product, but flicking through the latest issue I noticed two articles of interest.

The first was a three page tribute to John Ruddle, who sadly passed away in February, written by James Opie, with photographs taken by Paul Cattermole.  John will be well known to most people who visit these pages due to his internationally renowned model garden, which has featured in numerous wargame publications down the decades.  I didn't know John well but he only lived about a mile away from me and kindly invited me over to visit on a couple of occasions.  He was a great character with an unbridled passion for the hobby, both collecting and wargaming with Britains 54mm hollow cast lead toy soldiers.

So much so that he had landscaped his garden to represent different continents complete with buildings built from concrete in the relevant styles of architecture.  The beds on the left represented Europe, with areas allocated to England, France, Germany and Italy, also a small area for Belgium which included the Mons canal.  The large lawn in the centre of the garden represented ocean, and John had made fleets of battleships which he'd cut out of aluminium sheet so that the wouldn't rust because they were left out all year round.  

If I remember correctly the end of the garden had a large rockery with a hill fort and village to represent the North West Frontier and Africa.  There were two ponds which fed streams representing rivers and the canal mentioned above, that ran through the countries.  There was also an O gauge railway, originally clockwork, John told me that when he had his house rewired the electrician was so taken with the garden he offered to electrify the railway, he installed a transformer and built a control panel for John to operate it.

On one occasion John was in the process of building a palace with harem for a Turkish Sultan, to be situated on a point between Africa and Europe.  He had laid out a square wooden frame on the ground and filled it with sand, into which he would make an imprint of the building facade, and then pour in concrete.  He explained that on some of his earlier buildings he'd had a problem with cracks in the concrete due to frost until a builder doing some work on his house advised him to add sugar to the mix to prevent this.  A lot of the buildings had removeable roofs so that figures could be stored inside them, nothing vintage but ones that he cast himself, and each year he would give their paintwork a touch up, he also had to spring clean the buildings because mice would nest in them over the winter!

The last time I met John was at the London Toy Soldier Show where Paul Morehead and I interviewed him about his memories of Major Henry Harris, but that's another story for another day.  He was also selling off part of his collection so I bought several units of German and Russian cavalry from him, he was very pleased that they would continue to serve in games on the table and in the garden.

Which leads me neatly on to the second article of interest and this is two pages written by Paul Holcroft Wright about the new edition of Funny Little Wars, a reworking of the original layout with all new illustrations and incorporating a lot more background to H.G. Wells.  I know that several other bloggers who visit here are fellow members of the FLW group and will already have the new edition but I couldn't pass up the opportunity to give it a mention.

Japanese Warrior Monks

 Many many moons ago Chinese firm Hing Fat produced a set of Ninjas, quite nice little figures and all in original action poses with a variety of suitably Japanese weaponry.  You used to see them everywhere, but nowadays not so much.  Now my understanding is that Ninjas are some sort of super stealthy assassin, so not the sort that you want whole armies of, with that in mind I turned some of them into Warrior Monks:

I converted these six just to see how they would work, I think they're good enough to justify making up to a unit of twelve, then maybe another sect in blue.  I like the idea of having varied units that can act as allies to the main armies of a period, it makes the converting and painting less onerous when you know you only have to make a few.

This is a modern solid metal figure made by Frontline, from a set of medieval cavalry that were given away with magazine partworks, they came freestanding without a base, which makes them prone to falling over as they are rather heavy and have a high centre of gravity

This was the only Samurai figure they made in the range, shame really as they are beautifully painted, I added the base for stability and it makes a very welcome addition to the collection I am slowly building up.

Irish Warband

 Irish sea raiders were pillaging the coast of Saxon Britain long before the Vikings arrived, they later opposed the Viking incursions into Ireland and continued fighting alongside anyone who would pay them until well after the Normans appeared on the scene.  So a useful addition to any Dark Ages collection, sadly nobody ever made 54mm toys soldiers depicting Kerns or Gallowglass, so I gave them my own twist:

In the centre is a modern metal figure of an Irish Chieftain made by Del Prado, he needed a warband to follow him and that kickstarted this little project.  Irish warriors are depicted wearing predominantly ochre cloth (wool dyed with urine) so I used this colour liberally to pull the figures together as a unit.

They also used a hotchpotch of  weaponry and armour, when they had them, so this allows considerable licence when selecting figures and converting them, the chap centre front is throwing a dart, a uniquely Irish weapon of the period.

Wealthier warriors and sub-chieftains were better armed and armoured than the hoi-polloi so I've included a few of these.  They won't win any prizes for historical accuracy but were fun to paint and being of Irish heritage myself I have a certain fondness for them.

Elastolin style trenches

 Following on from the previous post, here is a command post I made many years back in the style of the old Elastolin modular trench sections:

For many years (more like decades!) I had been bidding at various auctions on original Elastolin entrenchments but without any success.  It's not that they're rare, they come up all the time, it's just that they are desirable and always sell for silly money.  So I decided to make my own.

Based roughly on an original model from the 1930's the basic structure is formed from polystyrene packing, the whole thing then covered in papier mache and sprinkled with sawdust for texture.  The entrance posts and lintels were provided by the stick from a firework rocket and the steps just cardboard folded into a concertina shape.  The paint scheme follows the original, an overall wash of earth brown with a drybrush of grass green and the odd highlight of drybrushed yellow.

The only problem is storage, the figures are 7cm tall so it's a big old piece of kit and the only place I can find for it at the moment is balancing rather precariously on top on another glass display case!

Shell craters

 Feeling the need for some crafting therapy I cast around the projects I've started over the years but left unfinished, there were plenty to choose from.

Motivated by the recent acquisition of some rather neat First War tanks I opted to finish the shell craters I started before lockdown.

Several years ago I started making modular trench sections in the style of the old Elastolin accessories, (they've still yet to be completed) and these shell craters were to be  an addition to the project.

The wooden tanks are decorative items, artisan made, in a small workshop which I have been unable to track down.

The figures are mostly conversions of Armies in Plastic and various Cherilea bits, the explosion is a resin recast of an original Elastolin item. 

This is how they started life, various sized circular lids glued to cardboard and bulked out with polystyrene packing chips (this was as far as I got before getting bored first time around), an irregular shape built up with air drying clay, the outer walls given a coat of PVA glue then a mix of sawdust with scatter sprinkled over the top.  I gave the crater a coat of  burnt umber with a wash of black around the inner walls to simulate the heat of the explosion and dry brushed grass green over the sawdust on the outer slopes, the centre painted dark grey to represent pooled water.

Already feeling better for having achieved something.