Medieval figures on display.

 Slowly getting around to putting figures back on display after they had to be packed away for work on the house a few years ago, a change is as good as a rest and it's good to see them out again.

Medieval figures always add a good splash of colour and and these are some of my favourites, lots of conversions and some will get pulled out from time to time to serve in a wargame but mostly their purpose is to please the eye.  

The Playmobil ship is crewed by Einar and his men from "The Vikings" movie, as portrayed here in plastic by the French firm Ougen, Matt Thair has now produced the set in metal and you can see it here: White Tower Miniatures  

The castle walls and towers are from a Foreign Legion fort gifted to me by another friend Barrie Blood who commissioned it from a chap called John Russell, who exhibited his wargame buildings at the first Plastic Warrior Show and built the Spanish Town shown in the previous post One Hour Wargames - Double Delay

 The fort was built in scale for 54mm toy soldiers and rather large so I solved the storage problem by incorporating it into this display, it should come out without to much difficulty if needed for a wargame.

In the foreground an assortment of figures made in Poland by PZG (Polski Związek Głuchych - The Polish Association of the Deaf), rear right a mounted knight made in Italy by Nardi and Joan of Arc made in France by Starlux.

Two Elastolin siege engines, behind them a group of crossbowmen made in France by RF (Rene Fisher).

Lords and Ladies of the Court, too many to list but included are figures by Elastolin and Starlux with many conversions and also a few chessmen.

More conversions with a resin model of Joan of Arc (mounted) sold in France as a tourist item.

Some folk heroes are dotted around in this corner, including Robin Hood figures made in England by Crescent and Italy by Res Plastics, some of the Wiliam Tell set from REAMSA of Spain (Resinas Artificiales Moldeadas S.A.- Moulded Artificial Resins Ltd.) and yet another Joan of Arc on foot which is a Starlux conversion.

In another corner the musicians and jesters strike up the band.  The larger yellow jester was made in Germany by Heinerle, Manurba, Domplast (take your pick) the smaller one beside him is a ceramic knick knack and the seated piper is a shepherd boy made by Elastolin.

In the foreground a group of crossbowmen made by Res Plastics and offered in Kinder Surprise chocolate eggs, there are four figures each with different styles of armour, pavise and bows.

In the foreground various footmen made by Starlux, behind them Edward The Black Prince is a Starlux conversion made by Vince Mattocks and the mounted knight to his right was made in France by Guilbert.

In the tower are three figures from the Alexander Nevsky set made in Russia at the Progress factory in Moscow, I bought these at the second Plastic Warrior Show back in 1987 from a chap who was importing figures made in the old Iron Curtain countries, I think he was the only dealer at the show that year.  To the right of the standard bearer is the portrait figure of Albrecht Gessler from the William Tell set made in Spain by REAMSA (Resinas Artificiales Moldeadas S.A.- Moulded Artificial Resins Ltd.), this is the later reissue made by Oliver.

You can never have enough archers, the front row kneeling are Starlux behind them are mostly figures by Rene Fisher.

A Medieval host at the Plastic Warrior Show 2025

 You never know what will turn up at the PW Show each year, it's a perfect mélange of toy soldiers, all scales large and small, collectable rarities rub shoulders with terrible tat, it's anybody's game and it's always a lot of fun.  I never go with any expectation of what I might find, mostly I'm looking out for figures to flesh out my 54mm toy soldier wargame armies and this year there was a bumper crop of Medievals:

I'm always in the market to buy knights converted by Vince Mattocks, these ones were commissioned from him by an old friend of mine, Dave McKenna, who sold his entire toy soldier collection last year and I have been picking up tranches of them as they have become available.  I mention this just to give the provenance to these fine figures for whoever might own them in the future.

Much of the collection has been shown here in the previous posts covering our Lionheart wargames (see link in the Labels column on the right), the personalities are all conversions and painted in the correct liveries, the men at arms shown here are mostly unconverted.

I'd already had the pick of the collection last year then the seller found another box unexpectedly and offered them to me as a clearance lot, they worked out at about 40p each which was well worth it for the amount of time I saved in painting and research.

Vince marks all of his conversions with a stylised Vm and adds the date he made them, he also gives the name of the personage portrayed and marks them E or F to indicate English or French.  They are mostly 100 Years War but some are Wars of the Roses, there was bound to be some overlap, so now I need to list them and see who I've got!

Another converter who's work I always look out for is Eric Kemp, and his figures have graced many a post on this blog.  Several of Eric's collections were on offer and I picked examples from three of them to help rekindle inspiration and kickstart a couple of my own projects which have gone off the rails recently. 

I always enjoy working out what the donor figures were for conversions and seeing how they've been reconfigured, I particularly liked the two slingers in the picture above, a common troop type but sadly neglected by the toy soldier manufacturers.

For some time I've been quietly squirrelling away the raw material for a Renaissance period collection, Eric's painting style is very distinctive and make his conversions instantly recognisable, which is helpful as he doesn't sign his work.

Another three of Eric's Normans will be joining my Dark Ages armies which are nearing completion now.

Lionheart - a medieval wargame with 54mm toy soldiers

 Lionheart is a medieval boardgame published by Parker Brothers in 1997, played on a square grid with 25mm pieces the aim is to capture the enemy King or destroy all of his army, it plays a bit like a game of chess.  We thought we'd try out the basic game to see if it would translate to a wargame with 54mm toy soldiers, here's how it went:

The English left wing shown above and the right wing pictured below, the basic game has 4 unit types: The King, mounted knights (2 units), infantry (5 units) and archers (2 units).  For visual impact we doubled the number of figures in each unit, so the King got a standard bearer, each mounted unit was 4 figures and foot were 8.

There is an advanced version of the game that includes 3 more unit types: heavy foot knights, peasants and mercenaries but we left these out this time as we were just looking to test the game mechanics.  One major change we did make was to play on a hex grid rather than a square one but this doesn't make any significant change to the dynamics of the game.

The French left wing shown above and the right wing pictured below.  Players dice to see who goes first and then play on I go U go basis, as we'd doubled the number of figures in play we also doubled the number of actions allowed each move from 2 to 4.  The actions allowed are: Move, Turn, Attack and the limit of 4 actions applies across the whole army not unit by unit, actions can be taken in any order i.e. 4 units could make 1 move or alternatively 1 unit could move, a second could turn while a third moved and attacked.

All units move in a straight line, mounted (King and knights) can move any number of hex for 1 action but foot units (infantry and archers) only move 1 hex for 1 action.  No interpenetration through other units is allowed.

Archers can fire over friendly units and their range is anywhere in the arc of the 9 hex in front of them (2 hex, then 3, then 4).  All other units attack when they move into direct contact with an enemy unit and have an action remaining to enable the attack i.e. for an infantry unit to move 2 hex and make an attack costs 3 actions.

The game uses 6 sided dice with symbols: 3 x Axe, 2 x Arrow and 1 x Panic.  We used ordinary D6 with 1,2,3 = Axe, 4,5 = Arrow and 6 = Panic.  A D6 is thrown for each foot figure in a unit and 2 x D6 for each mounted, so a maximum of 8 x D6 for each unit.  Archers register a hit for every Arrow thrown, all other units make a hit when an Axe is rolled, casualties are removed: foot for 1 hit and mounted for 2 hits (rounded down).  Combat is completed one unit at a time and hits are not cumulative.

If 4 x Panic dice are thrown the the unit attacked must turn and retreat one move i.e. a unit of 8 infantry attacks an enemy infantry unit, it throws 8 dice and scores: 3 x Axe, 1 x Arrow and 4 x Panic, the unit attacked suffers 3 casualties then must turn and retreat.

We found the rules very quick and easy to assimilate, the game flows fast and smoothly.  Foot units advance rather ponderously and need to be supportive, a unit that becomes detached is liable to be picked off and overrun by enemy cavalry.  On both sides archers made up 20% of the total units, so a decent representation but not enough to dominate the field and turn the game into just another shooting match.  The mounted units are very much the arme blanche of the game, sudden sweeping charges packing a devastating punch, just as it should be.

We didn't include any terrain features but there is provision for this.  Going forward I think we will take scenarios from One Hour Wargames, or perhaps based on historical events and introduce the additional 3 unit types (heavy foot, peasants and mercenaries).  The simplicity of the rule system and lack of any record keeping also means that we could easily double the number of units and actions per turn to make it a much bigger game.  It would be interesting to try an Agincourt scenario, with the flower of French chivalry facing a wall of English archers!

 Apart from the Timpo crusaders, which have been based to give them more stability on the table.

all the rest of the figures are conversions, mostly from the talented hand of modeller and heraldic expert Vince Mattocks,

Medieval Lord and Lady - but who made them?

 After the success I had on facebook with the identification of the Galloglass made by Oojah-Cum-Pivvy I thought I'd try the same approach to find the origin of these rather fine figures. I believe they were made in England, 54mm tall, they are made from some sort of composition material, they may have been made for a toy theatre or something like that.

My thoughts that they might have been made for a toy theatre prompted suggestions that they may have been Shakespearean characters such as Petruchio and Kate from Taming of the Shrew, they certainly have the arrogant stance for that couple.  The period costumes have been well researched and carefully painted, I have seen examples of them before so I think they were produced commercially but not in large numbers.

Two more figures from the same series, a boy/Prince and a Monk, they are not the usual wood/glue composition or the plaster of Italian figures, perhaps more like the Blanc de Medun of some French types which is very hard, there is no armature. The base on the Prince is lead and not original but was added by a previous owner.

On the figure of the Boy it says "Courtier temp. Ric II Earl of March" on the man it says "Courtier temp. Edw IV" these were stickers added by the previous owner to notate who the figures represented in his personal collection, sadly he give no indication of their manufacturer, he uses the word temp. to abbreviate "time of". 

I acquired them in one of James Opie's auctions for Phillips back in the 80's the seller had been a student of heraldry and his entire medieval collection along with his research archive were up for sale. The lots were all high end connoisseur figures, Courtenay, Ping etc which sold for serious money but these were in a lot of plastics, most of which were conversions to represent personalities in their heraldry, luckily nobody else wanted them so I was the only bidder. Being conversions, all of the figures had these paper stickers on the base to show who they represented.

To date their manufacturer has not been identified so if you recognise them please leave a comment to let us all know.

Galloglass and Kern - Oojah-Cum-Pivvy

 Back in October last year I posted a picture of this Irish Galloglass up on facebook asking if anyone knew who made it and if it was a one off or part of a set?   The same day an old friend, Jim Lloyd, identified it as being from the Oojah-Cum-Pivvy range issued by Shamus O D Wade between 1982 and 1984, not only that but he told me he had the Kern from the same series and sent it to me as a gift!

The figure is marked under the base O.3 and is listed as Irish Galloglass 1522, he has the distinctive look of a Tudor period Galloglass, in my opinion the sculpting and factory paint job are not of the highest standard but you have to admit it's a fairly unique subject in the world  of toy soldiers.

After the success of his Nostalgia range of modern "old toy soldier style" figures, which featured obscure units from the British Commonwealth and Empire 1850-1910, Shamus launched the Oojah-Cum-Pivvy range to produce subjects which just happened to take his fancy.  

Rather more colourful is the figure that Jim Lloyd kindly sent me, it is marked O.2 under the base and is listed as Irish Kern circa 1545.  I understand that the O stands for Oojah-Cum-Pivvy (Shamus marked his Nostalgia range figures with a stylised n) and the number relates to the sequential order in which they were issued.

In the Collectors Guide to New Toy Soldiers, Stuart Asquith tells us that the Oojah-Cum-Pivvy range  ran to 36 different white metal figures and had a limited edition of just 100 castings for each.  They were sculpted by Graham Morris and produced by Peter Cowan.

I only recall seeing 54mm figures of Tudor period Kerns and Galloglass once before, made in a rubber material by a chap in Russia, so they are now beyond our reach.

This is a more recent acquisition, marked O.9 and listed as Patzinak Mercenary 11th Century (Byzantine), he is a horse archer of the semi nomadic Turkic Pechenegs from Central Asia who allied with the Byzantines to control the Southeast European steppe and Crimean peninsula.  Another very unusual subject, there were three other Byzantine figures in the range.

I don't think this is the start of a new collection for me, because of the 36 figures in the Oojah-Cum-Pivvy range at least half depict 20th century subjects (primarily from the Indian Armed Forces) which don't really appeal to me. There are some interesting and unusual subjects among the Ancient and Medieval figures so I will be tempted to pick up more if I come across them.

Given that Shamus O D Wade was of Irish heritage (like me, he was born and raised in England to Irish parents and lived near us in West London) I had hoped that he might have included more Irish subjects in the Oojah-Cum-Pivvy range but sadly not.  I knew Shamus through the British Model Soldier Society and subscribed to his sales lists in the 1970s/80s, but at that time I was only interested in buying hollowcast figures from minor UK makers so took little interest in his Nostalgia and Oojah-Cum-Pivvy ranges of modern white metal figures.

Although he had no real interest in plastic toy soldiers Shamus was always supportive of Plastic Warrior from the earliest days, he was one of the few dealers to take a stand at the very first Plastic Warrior Show and it was entirely down to his continuous urging that we started to lodge copies of the magazine with the British Library so that the information they contain would be preserved for posterity. 

Plastic Warrior Show 2023 - Conversions

 Apart from collecting old toy soldiers and gaming I also like to convert and paint figures, sadly I don't get enough time for this part of the hobby but it gives me a great appreciation for the work of other people.  Here are some I picked up at the show which will be gracing the games on my table at some point in the future.

These British cavalry and the German infantry below are the work of Eric Kemp, owner of Helmet Models and well known converter of plastic figures.  The riders are made from Armies in Plastic mounted of horses from various makers, they will form a reconnaissance unit, shame there were only three, if there had been more I'd have bought the lot.

Not sure what part these will play but it never hurts to have the odd vignette for table dressing and I just couldn't resist this pair, the dog and motorcycle are metal castings.

Eric's painting style is very distinctive, especially the faces, I've picked up some of his figures before and you can tell it's his work the moment you see them.  I bought a dozen of these, enough for a Sturmer unit, the kneeling officer is a metal casting.

Another modeller with a very distinctive style is Vince Mattocks, who made these knights from the Hundred Years War, again I'm a great fan of his work and pick them up whenever I can. 

The donor figures will be easily identified by most collectors and have had only minor changes but enough to give them a unique character of their own.  

Vince is very knowledgeable of this period, all the coats of arms and liveries are accurate, which saves me an awful lot of work.  Helpfully he also writes the name of the knight portrayed under the base and signs it.

I don't know who made these, the Roman sling thrower was made in Russia (but I can't remember who by) and isn't a conversion but I might use him as a pattern to make some more, the mounted Roman can take command of a Legion I've been working on and the French standard bearer will join the ranks of the 7 Years War collection.

Peter Bergner came over from Germany with a box full of these Cafe Storme figures, beautiful sculpts by military artist Eugene Leliepvre, they were oddments and damaged, so came cheap as chips and just what I wanted for a number of conversion I have in mind.

That's all for this year.

1920's Lineol Knight

This mounted knight stands 140mm from base to top of plume and was part of an early set of medieval figures produced in the 1920's by Lineol.  Made from the usual "sawdust and glue" composition material it was part of a jousting tournament, with six foot figures representing members of the Court and attendants plus two mounted knights with two different horses.  The other knight had a couched lance on a rearing horse, I once had the other horse and it was one of the most spectacular pieces I've ever owned but I let it go to a German dealer......... and have regretted that ever since!

The horse trappings are parti-coloured green and white but this one has clearly collected a lot of grime over the past hundred years. I really should give him a gentle clean but I rather like the aged patina and if I removed it I really couldn't wait around another hundred years for it to come back!

King Richard the Lionheart

 A recent acquisition, and one I've been after for a long time, is this figure of King Richard the Lionheart as a crusader, made by Cherilea.  It's made in hollowcast lead and has been repainted, but quite sympathetically, so I can live with that, what a shame they never made him in plastic.

This figure often gets listed as part of the Cherilea Baronial series, but it's not or at least it's not listed as part of that series in the catalogue.  But you can see why people might think it was, the sculpting of the horse is superb, way above the usual standard for Cherilea and a similar style to the three figures in the Baronial Series.  Also it's slightly smaller size and a single piece casting while the others have separate horse and riders.

The back view, the shield is nicely engraved with three lions, I must remember to pick that detail next time I have my paintbrush to hand.  Cherilea used to produce the moulds for Richard Courtney, who is famous for his models of medieval knights, and I can't help wondering if he didn't have a hand in the sculpting of some of these finer pieces, of course that's just speculation on my part.