Lionheart - more playing with old toy knights.

 Our first trial game of Lionheart worked very well so we decided to expand on it by introducing some terrain elements and and an additional two unit types; Heavy Foot Knights and Mercenaries. The remainder of the armies were the same as in our previous game and we increased the number of actions in each turn from four to six per side.  The basic game mechanics were explained in my previous post HERE.

The French line up with Heavy Foot Knights on the left flank (just visible at the top of the pic) and the Kievan Mercenaries on the extreme right.  For the Mercenaries we used Medieval Russian Knights made in china by Supreme along with some made in Russia by Engineer Basevitch.

While the English line advances with Heavy Foot to the front (Britains Deetail knights just beyond the Timpo Crusaders) and Irish Mercenaries with their priest following in support.

The game allows for one more unit type; Peasants, but I didn't have any suitable figures to hand so we left them out, maybe they'll appear next time.

With their enhanced mobility it's always difficult to hold back the Mounted Knights, they charge across the field when they see an opportunity to strike.  This invariably draws out their opposite counterparts and leads to a duel between the chivalry.

  The Mercenaries are strong in combat and have the ability to induce panic in any unit they attack, forcing them to retire, the danger is that they can be turned if they come in contact with the enemy King and may change sides.

The terrain comprised a line of hills with a road running through them on one flank, a central plain and a forest with a road running through it on the opposite flank.  I like to keep things simple to begin with.

The Heavy Foot Knights (centre) are powerful in combat but very slow moving, it takes two actions to move them one hex, as a result they never really got into the game.

After the Mounted Knights had exhausted themselves duelling the Infantry and Archers moved in, the latter being quite vulnerable if attacked so need close support.

The Kings and their retinues tends to become a mounted reserve, kept safely out of the way behind the lines until desperation draws them out into the fray.

As things turned out all of the action took place in the central plain and virtually no use was made of the hills or forest.  (Note to self: put more obstacles in the centre of the field next time)

I always pick up bits and pieces of Timpo medievals when I see them in the cheap junk boxes at shows, they invariably have no weapons, scabbards or shields but that's easily sorted.  They are notoriously unstable on their small green bases so I mount them on 2p coins, this will be anathema to some people but lets face it they're not rare, you can find hundreds of them on the internet auction sites every day of the week.

This time the game was much less cohesive with small groups of opposing units engaging in clumps of combat dispersed around the field.

It's a good game system and I like the way it flows, I think we will need to give more thought to how we deploy the Heavy Foot Knights or revisit the way we allocate actions in each turn.  

With a little tweaking the system could be easily adapted to the Dark Ages or brought forward into the Renaissance, so we might have a go at one of those periods sometime.

Assorted Ancients now on display.

 Following on from the previous post, here are closeups of the second new shelf.  The shelves are inside a pine wardrobe built into a chimney alcove, long since unfit for purpose but I'm averse to ripping out period features so it now houses toy soldiers and the original doors provide some protection from the dust.

In the background are a group of  Neanderthals made in France by Starlux.  

In front of them are hoplites made in Greece by PAL and later versions made by Athena (Aohna), the easiest way to tell them apart is the earlier PAL figures have a flat square base with no markings underneath while the Athena ones have a sculptured base marked Aohna underneath, the PAL versions also have metal pins attaching their arms.  

In the left foreground are Greeks/Romans made in Italy by Tibidabo (green bases) and to their right are two made in France by Clairet (tan bases)

In the centre, various Roman signifiers by Atlantic, REAMSA, Marx and Elastolin, in front of them are three large rubber figures made in Italy by Xiloplasto.

The large colourful figure in the sentre is one of the Louis Marx Ancient Chinese Warriors.  The large blue Romans beside him are reissues made in Spain by Oliver. 

The two Samurai at rear left were made in Poland by PZG (the Polish Association of the Deaf), in front of them are Ancient Egyptians made in Spain by Jecsan, with more Samurai to the forefront, these ones made in Italy by Res Plastics for Kinder eggs.

A better view of the Res Plastics Samurai, I started picking these up with the intention of creating a wargames army with them but the fiddly parts and loose weapons made them impractical for this, so they are now consigned to the shelf and my Samurai armies are now made up from Technolog, Furuta, gashapon and various kit figures.

In the centre the unpainted Roman and Tribune in red cloak were sculpted by Peter Evans and cast in Resin by Peter Cole (before he set up his company Replicants to make figures in plastic), the idea was that they would make additional poses to go with the Louis Marx Ben Hur playset which had just been reissued from the original moulds by a company in Mexico.  

To their right are two coffee premiums made in Belgium by Cafe Storme.

The four Carolingians marching in the foreground are 45mm solid lead figures made in Germany by Heyde.

The large mounted Roman on the left was originally made France in hollowcast lead by JSF (Jouets Standard Francais), this is a plastic version made form the original mould.  On th right next to him is another mounted Roman, made in Hong Kong it is a copy of a Crescent foot figure on a copy of a Herald horse.

This is the set of four made by Res Plastics for Kinder eggs, they are often described as being Samurai but I am advised (by someone to knows vastly more than I do about ancient armour) that they are in fact Ancient Chinese (they still look like Samurai to me, what do you think?)

Britains American War of Independance Swoppets.

 This past year I embarked upon a review of how I store and display the unruly mass of toy soldiers accumulated in a largely haphazard way over the past six plus decades.  

Everything is being separated out between collectables and figures for wargaming, the former to stand safely on a shelf gathering dust and looking pretty, the latter boxed securely in their units and ranks ready to be deployed on the tabletop at a moments notice.

I started picking up Britains and Timpo American War of Independence Swoppets with the intention of using them for wargaming, back then they were the only figures available for the period, but they were hard to find and by the time I'd acquire enough they were getting too brittle and delicate for the amount of handling involved.  I aught to let them all go but I don't feel quite ready for that yet.

The building in the background is the tinplate "Revolutionary War Tavern" made in America by Louis Marx, the mounted figure of George Washington to the front left of it is an old composition piece made by Elastolin.

In amongst the Britains and Timpo Swoppet AWI are a smattering of figures from other manufacturers such as: Shell Liberty Men of '76, Louis Marx Warriors of the World, A Call to Arms, Res Plastics for Kinder Eggs, Awesome Toys, Casualties of War, Airfix, and a couple of white metal models.

The building shown here is the Louis Marx tinplate "Civil War Mansion" from their "Battle of the Blue and Gray" playset.

Native American allies are provided by Mohicans from Britains Herald range and Charbens.

 These figures have all spent far too long languishing in boxes so it was nice to get them out and put on display where I can appreciate them a bit more.