Plastic Warrior Show 2025

 The date for the 2025 Plastic Warrior Show has now been released.....

......And here are the directions to get there:

TRAVEL GUIDE

 

Directions to The Plastic Warrior Show

BY ROAD

From Outside London take M25, M3, A316, go over one roundabout and entrance to the winning Post is after 500 metres on your left.

From Inner London, after Richmond Circus follow A316 and continue straight on over three roundabouts. You will pass the Winning Post on your right. At the next roundabout take the fourth exit and entrance to the Winning Post will be on your left after 500 metres.

FREE PARKING. There is extensive free parking at the site and in the residential roads behind the Winning Post. The Harlequin Suite is to the right of the main building.

BY PUBLIC TRANSPORT

From Central London and the South of England by overground train (South Western Railways) from Waterloo or Clapham Junction to Whitton Station. There are eight trains an hour and the journey time is approx. 30 minutes, this is a loop line so four trains an hour run from two different platforms at Waterloo Station.

From the North of England by train to London arriving at Kings Cross, St. Pancras or Euston.

Take the London Underground Victoria line just six stops to Vauxhall and change for South Western Railways to Whitton Station as above. Whitton Station is just three minutes walk from the Winning Post.  Turn left out of the station past Jubilee Avenue and Pauline Crescent, the next turning on your left is the entrance to the Winning Post.

Should you wish to take the London Underground to Richmond as in previous years, the easiest thing is to change platform and take a South Western Railways service to Whitton Station as above, (four trains an hour from Richmond, journey time eight minutes).

Alternatively you could get a black cab or a H22 bus from the taxi rank and bus stop outside the station.
Oyster cards are accepted on all London Underground lines, buses and South Western Railways to Whitton Station.

The Winning Post Inn

Opens from 08.00 to 11.00 serving breakfast or coffee for those who arrive early. The pub serves drinks from 11.00 and lunches from 12.00. There is a cashpoint on site but Whitton town centre, with a full range of shops and banks, is just three minutes walk from the hall.

Within the Winning Post complex is a Premier Inn travel hotel for those who want to break their journey and stay overnight.

Lionheart - a medieval wargame with 54mm toy soldiers

 Lionheart is a medieval boardgame published by Parker Brothers in 1997, played on a square grid with 25mm pieces the aim is to capture the enemy King or destroy all of his army, it plays a bit like a game of chess.  We thought we'd try out the basic game to see if it would translate to a wargame with 54mm toy soldiers, here's how it went:

The English left wing shown above and the right wing pictured below, the basic game has 4 unit types: The King, mounted knights (2 units), infantry (5 units) and archers (2 units).  For visual impact we doubled the number of figures in each unit, so the King got a standard bearer, each mounted unit was 4 figures and foot were 8.

There is an advanced version of the game that includes 3 more unit types: heavy foot knights, peasants and mercenaries but we left these out this time as we were just looking to test the game mechanics.  One major change we did make was to play on a hex grid rather than a square one but this doesn't make any significant change to the dynamics of the game.

The French left wing shown above and the right wing pictured below.  Players dice to see who goes first and then play on I go U go basis, as we'd doubled the number of figures in play we also doubled the number of actions allowed each move from 2 to 4.  The actions allowed are: Move, Turn, Attack and the limit of 4 actions applies across the whole army not unit by unit, actions can be taken in any order i.e. 4 units could make 1 move or alternatively 1 unit could move, a second could turn while a third moved and attacked.

All units move in a straight line, mounted (King and knights) can move any number of hex for 1 action but foot units (infantry and archers) only move 1 hex for 1 action.  No interpenetration through other units is allowed.

Archers can fire over friendly units and their range is anywhere in the arc of the 9 hex in front of them (2 hex, then 3, then 4).  All other units attack when they move into direct contact with an enemy unit and have an action remaining to enable the attack i.e. for an infantry unit to move 2 hex and make an attack costs 3 actions.

The game uses 6 sided dice with symbols: 3 x Axe, 2 x Arrow and 1 x Panic.  We used ordinary D6 with 1,2,3 = Axe, 4,5 = Arrow and 6 = Panic.  A D6 is thrown for each foot figure in a unit and 2 x D6 for each mounted, so a maximum of 8 x D6 for each unit.  Archers register a hit for every Arrow thrown, all other units make a hit when an Axe is rolled, casualties are removed: foot for 1 hit and mounted for 2 hits (rounded down).  Combat is completed one unit at a time and hits are not cumulative.

If 4 x Panic dice are thrown the the unit attacked must turn and retreat one move i.e. a unit of 8 infantry attacks an enemy infantry unit, it throws 8 dice and scores: 3 x Axe, 1 x Arrow and 4 x Panic, the unit attacked suffers 3 casualties then must turn and retreat.

We found the rules very quick and easy to assimilate, the game flows fast and smoothly.  Foot units advance rather ponderously and need to be supportive, a unit that becomes detached is liable to be picked off and overrun by enemy cavalry.  On both sides archers made up 20% of the total units, so a decent representation but not enough to dominate the field and turn the game into just another shooting match.  The mounted units are very much the arme blanche of the game, sudden sweeping charges packing a devastating punch, just as it should be.

We didn't include any terrain features but there is provision for this.  Going forward I think we will take scenarios from One Hour Wargames, or perhaps based on historical events and introduce the additional 3 unit types (heavy foot, peasants and mercenaries).  The simplicity of the rule system and lack of any record keeping also means that we could easily double the number of units and actions per turn to make it a much bigger game.  It would be interesting to try an Agincourt scenario, with the flower of French chivalry facing a wall of English archers!

 Apart from the Timpo crusaders, which have been based to give them more stability on the table.

all the rest of the figures are conversions, mostly from the talented hand of modeller and heraldic expert Vince Mattocks,

Elastolin Bundeswehr from the car boot sale.

 Among the finds at the car boot sale last weekend were these post war composition figures of the German Bundeswehr made by Elastolin, which warrant a post of their own.

The immediate post war production of Elastolin was something of a hybrid, utilising the same "sawdust and glue" composition mixture for the bodies but introducing a new pattern of head made in plastic and wearing an American style M1 helmet.  Elastolin used the same composition bodies with this plastic head and just different painting schemes to depict both Bundeswehr (as shown above) and American GI's for the export market.  Previously the pre war American infantry were made entirely in composition material and wore the British Army style Brodie helmet.  

Elastolin had been using the bodies of their German infantry with separate plug in heads and different painting schemes to depict various contemporary armies since the early 1930's but this was the first instance of them utilising plastic parts.  The flag was the same pattern of tinplate standard that they had been using pre war but was painted in the black, red and gold colours of the national flag of the Federal Republic of Germany.

Fleamarket finds from the weekend.

 It always seems to be feast or famine at the local car boot sale but last weekend I managed a reasonable haul:

This lot set me back £20, which I thought was very fair, there's nothing rare or special but it's quite a nice mix and they will add to several of my existing projects.

A few more Conte Normans are always welcome, my existing ones have been painted up as they came so I can afford to use some of these ones for conversions.  They are made from a firm rubber which leaves the weapons prone to bending, after straightening by hot water treatment I give the bendy parts a coat of wood glue (which is an industrial strength PVA used by carpenters) to keep them from reverting to their previous shape.

The four Timpo Vikings all need repair so I will have no qualms about basing them for wargaming, the two AWI have been added to a display shelf and I have suitable mounts for all the others.  The Marx reissue of Paul Revere in white is very versatile for conversion to many periods.

REAMSA remoulds from the Willian Tell set, I think the figure of Landburgher Gessler is particularly well sculpted, he looks just like the character played by Willoughby Goddard in the 1950's "Adventures of William Tell" TV series.

The more collectable items: a Franciscan monk and Mousquetaire du Roi made by Starlux, the grenadier drummer made by Cavendish is rarely found in white plastic so is probably an early example. The Cherilea Numidian, Lone Star African Native and Crescent Sheriff of Nottingham on the bottom row are all destined to be converted.

Medieval Lord and Lady - but who made them?

 After the success I had on facebook with the identification of the Galloglass made by Oojah-Cum-Pivvy I thought I'd try the same approach to find the origin of these rather fine figures. I believe they were made in England, 54mm tall, they are made from some sort of composition material, they may have been made for a toy theatre or something like that.

My thoughts that they might have been made for a toy theatre prompted suggestions that they may have been Shakespearean characters such as Petruchio and Kate from Taming of the Shrew, they certainly have the arrogant stance for that couple.  The period costumes have been well researched and carefully painted, I have seen examples of them before so I think they were produced commercially but not in large numbers.

Two more figures from the same series, a boy/Prince and a Monk, they are not the usual wood/glue composition or the plaster of Italian figures, perhaps more like the Blanc de Medun of some French types which is very hard, there is no armature. The base on the Prince is lead and not original but was added by a previous owner.

On the figure of the Boy it says "Courtier temp. Ric II Earl of March" on the man it says "Courtier temp. Edw IV" these were stickers added by the previous owner to notate who the figures represented in his personal collection, sadly he give no indication of their manufacturer, he uses the word temp. to abbreviate "time of". 

I acquired them in one of James Opie's auctions for Phillips back in the 80's the seller had been a student of heraldry and his entire medieval collection along with his research archive were up for sale. The lots were all high end connoisseur figures, Courtenay, Ping etc which sold for serious money but these were in a lot of plastics, most of which were conversions to represent personalities in their heraldry, luckily nobody else wanted them so I was the only bidder. Being conversions, all of the figures had these paper stickers on the base to show who they represented.

To date their manufacturer has not been identified so if you recognise them please leave a comment to let us all know.

Malcolm III and William Rufus 1093 - Battle Ravens

Since discovering that the boardgame Battle Ravens translates so well to the tabletop for a wargame with 54mm toy soldiers we thought we'd give it another outing.

  Our first trial of the game was a standard shieldwall encounter between Vikings and Saxons, but the game also offers sets of cards to portray the national characteristics of Scots, Welsh and Normans so we decided to try something different. 

  For a scenario I chose the border raid in 1093 by the Scots of Malcolm III, in support of Saxon refugees, against a frontier outpost held by the Normans of William Rufus. 

A Frisian trader has beached his ship alongside the Norman keep and is unloading his trade goods in exchange for Saxon slaves, when the alarm is sounded!  A Scottish warband has been spotted approaching the stronghold.

The Frisian crew join the Norman garrison and form shieldwall outside the stockade to protect the ship from the Scots and their Saxon allies.

Lessons learned from our previous encounter meant that the action flowed much faster and furiously this time around, more risks were taken and the subtle nuances in the rule system became more apparent. 

The game is played from two static shieldwalls and despite the lack of manoeuvre there is still a great deal of movement as warriors are pushed back and forth to reinforce holes in the line.  

The Playmobil viking ship with sail down serves as the Frisian merchant vessel, it only acts as set dressing but adds depth to the scenario.

The Scots command group, King Malcolm with his retainers and priest.  The standard bearers here and below are conversions by Eric Kemp acquired at the Plastic Warrior Show in May.

There is a temptation to press heavily on one sector of the enemy line and attempt a breakthrough but this can have repercussions later on, in the long run it's often better to give ground and degrade your opponent's forces.  

The game plays comfortably in a couple of hours but you could easily expand it by allowing reinforcements to be fed in at set points.  It would make a great demonstration game at a convention, easy to transport, limited number of figures involved, several participants could take different sections of the shieldwall and the larger figures add a bit of spectacle for the spectators.

It was a close run thing and looked as though honours were even but on closer inspection and a recount the Normans carried the day by one point.

Those with sharp eyes will recognise figures by Timpo, Johilco, DSG, TSSD, Emhar, Cherilea, Del Prado, Jean Hoefler, Elastolin, Jecsan, Reamsa, Oliver, Conte, Fontanini, Replicants, Marx, Armies in Plastic, Starlux, and Cafe Storme.

Romans by Frederick Ping

 A lucky find at the local car boot sale were these two rather undersized Romans, 50mm and solid lead, they've both seen better days and are now rather scuffed but I could see from what remained that they were once figures of quality.  

Under the wooden base I could just make out the words: Hummel Burlington Arcade London W1, which translates as "Expensive!"  For those who've never been there, Burlington Arcade, off London's Piccadilly, is an avenue of eye wateringly expensive shops, one of which was Hummel's where you could buy exclusive connoisseur model figures made by the likes of Richard Courtenay and Frederick Ping.

At some point in history these chaps have changed places, the hand painted title on the black wood plinth states he is a Roman Centurion, but the figure mounted on it is clearly a Legionary while the one to the right with vine cane and transverse horsehair comb on his helmet is the Centurion.  

It wasn't until I got them home that I noticed the "P" enclosing "ing" hand painted in gold on the reverse of the base, the signature mark of Frederick Ping.  

The most notable thing about Ping figures is that he started with a basic mannequin and dressed it using lead sheet, as on the tunic, belts and cloak of these, other elements such as armour were built up with solder.  For this reason his figures tend to be portrait style rather than action figures like those of Courtenay, with whom he collaborated and who's moulds he inherited on that sculptors death.  Another characteristic of Ping are the relatively large square lead bases, and while the figures are generally described as 50mm if you use the modern practice of measuring from the top of the base to the eye line the are more like 45mm.

This image belongs to Gildings Auctioneers of Market Harborough who sold this lot in March 2020, they are mostly figures from Ping's "Clans of the Highlands" series, which were the first to be offered through Hummel's

Ping often worked to commission and among his works were a series of 12 "Worlds Greatest Generals" for Shamus O D Wade and a number of intricate "Theatre Sets" for the actor Peter Cushing, which I was lucky enough to view when they were sold through Phillips Auctioneers.

Jacobite Rebellion - One Hour Wargames

Subsequent to this year's Plastic Warrior Show, Anthony has acquired the greater part of a Jacobite 54mm wargames collection created by our old friend Eric Kemp.  Needless to say, we couldn't wait to get them out on the table.  We turned to our default ruleset for such games, One Hour Wargames by Neil Thomas and selected Scenario 6 - Flank Attack.

This post is really a shameless opportunity to show off some very pretty toy soldiers, for which I offer no apology!

The scenario opens with the Jacobite army on the road home to Scotland, their path blocked by two units of Government troops, while another 4 units are approaching on the east flank. 

The basic rules were tweaked to reflect national/tactical differences so that Highlanders have a longer move distance and can charge but not shoot they also gain a +2 in melee, regular infantry can move or fire but not both and can't charge. 

This makes for a fast moving and very bloody game so we actually managed to play the scenario twice and this was the first game

Two units of Highlanders in the van followed by artillery and a unit of French allies (their only regular unit) approach the Government regulars.

The blocking Government troops get off a volley before they are hit by the Highlanders charge, once in melee they are unable to disengage.

The Government troops out on the flank include a unit of loyalist Lowlanders who have the same movement and combat features as the Highlanders.

The regulars and artillery on the flank advance into range and begin to pepper the attacking Highlanders.

The French regulars turn to face the threat from the flank.....

......and defend against the charging Lowlanders 

The Highlanders have the advantage in melee but need to engage quickly before they take too much punishment from the musket volleys, flexibility in changing formation proved to be the key to the game.

In the second game the Government drew a unit of cavalry, together with the artillery they blocked the path of the Highland army.

Cavalry follow the standard OHW Horse and Musket rules, they can charge but if they do not eliminate the unit attacked they are bounced back half a move.

The collection includes Jacobite cavalry in the form of Bagot's Hussars but sadly they didn't get drawn when units were diced for, I think they would have made a substantial difference to the dynamics of the game.

With the Highlanders enhanced movement both sides moved rapidly into contact and very quickly became depleted in combat, these were without doubt the fastest OHW games we have played to date.

The Government troops carried the day in both games but they were each a very close run thing.

The figures themselves include a large number of conversions, particularly among the Highlanders, makers include: Replicants, Armies in Plastic, A Call to Arms, Accurate, Barzo, Marx, Cherilea and Timpo.

Galloglass and Kern - Oojah-Cum-Pivvy

 Back in October last year I posted a picture of this Irish Galloglass up on facebook asking if anyone knew who made it and if it was a one off or part of a set?   The same day an old friend, Jim Lloyd, identified it as being from the Oojah-Cum-Pivvy range issued by Shamus O D Wade between 1982 and 1984, not only that but he told me he had the Kern from the same series and sent it to me as a gift!

The figure is marked under the base O.3 and is listed as Irish Galloglass 1522, he has the distinctive look of a Tudor period Galloglass, in my opinion the sculpting and factory paint job are not of the highest standard but you have to admit it's a fairly unique subject in the world  of toy soldiers.

After the success of his Nostalgia range of modern "old toy soldier style" figures, which featured obscure units from the British Commonwealth and Empire 1850-1910, Shamus launched the Oojah-Cum-Pivvy range to produce subjects which just happened to take his fancy.  

Rather more colourful is the figure that Jim Lloyd kindly sent me, it is marked O.2 under the base and is listed as Irish Kern circa 1545.  I understand that the O stands for Oojah-Cum-Pivvy (Shamus marked his Nostalgia range figures with a stylised n) and the number relates to the sequential order in which they were issued.

In the Collectors Guide to New Toy Soldiers, Stuart Asquith tells us that the Oojah-Cum-Pivvy range  ran to 36 different white metal figures and had a limited edition of just 100 castings for each.  They were sculpted by Graham Morris and produced by Peter Cowan.

I only recall seeing 54mm figures of Tudor period Kerns and Galloglass once before, made in a rubber material by a chap in Russia, so they are now beyond our reach.

This is a more recent acquisition, marked O.9 and listed as Patzinak Mercenary 11th Century (Byzantine), he is a horse archer of the semi nomadic Turkic Pechenegs from Central Asia who allied with the Byzantines to control the Southeast European steppe and Crimean peninsula.  Another very unusual subject, there were three other Byzantine figures in the range.

I don't think this is the start of a new collection for me, because of the 36 figures in the Oojah-Cum-Pivvy range at least half depict 20th century subjects (primarily from the Indian Armed Forces) which don't really appeal to me. There are some interesting and unusual subjects among the Ancient and Medieval figures so I will be tempted to pick up more if I come across them.

Given that Shamus O D Wade was of Irish heritage (like me, he was born and raised in England to Irish parents and lived near us in West London) I had hoped that he might have included more Irish subjects in the Oojah-Cum-Pivvy range but sadly not.  I knew Shamus through the British Model Soldier Society and subscribed to his sales lists in the 1970s/80s, but at that time I was only interested in buying hollowcast figures from minor UK makers so took little interest in his Nostalgia and Oojah-Cum-Pivvy ranges of modern white metal figures.

Although he had no real interest in plastic toy soldiers Shamus was always supportive of Plastic Warrior from the earliest days, he was one of the few dealers to take a stand at the very first Plastic Warrior Show and it was entirely down to his continuous urging that we started to lodge copies of the magazine with the British Library so that the information they contain would be preserved for posterity.